Final Act Blues

If you have been following my blog – I think there’s one or two of you out there – you know I’ve been working on a SciFi thriller and things were moving along quickly – 90+ pages in three weeks.

No more.

In the last three plus weeks I’ve been stuck – at 90+ pages.  My protagonist and his love interest and his comic-sidekick are confined in a high security cell in a secret genetics lab and I don’t have a damn idea on how to get him out.

Oh, I could fall back on derivative methods –

Stupid Security Guard (33) hat pushed back on head — ragged toothpick dangling from his lip – stares stupidly at the computer screen.

                        PROTAGONIST

            “Pssst. Hey, buddy?  Wanna here a

funny story?”

 

Stupid Security Guard shuffles over to the cell door – leans an ear toward our hero.

THUNK!

Our Hero snatches a ring full of KEYS – unlocks the cell door, and escapes.

Nope!  Sorry!  Won’t do it.

What I need is a unique, never before seen, scene.  The protagonist has to escape using/doing something germane to the story – something that makes the audience say “Cool!”

And… I think I found it!  Weeks of doodling, brainstorming, rewriting a scene here and there and it came to me.  Of course I won’t tell you what it is – you’ll have to see the movie to find that out – but I have to ask: How do you handle these kinds of situations?  What tricks do you use to get the idea mill grinding?  For my one or two ‘fans’ out there – let me know what works for you.

That’s a wrap and,

Keep Writing!

Comments (5)

Rod DuncanMarch 24th, 2009 at 5:52 am

I just found your blog via Chris Jones’s blog - and I have to say I am very impressed. Great information and thought provoking articles. Have bookmarked it and will definitely be calling back.

On the get out of jail question - it’s hard to deal with this kind of thing without back-writing a thread into the earlier part of the story. The cliche example is in the Bond movies where our hero goes to see Q in Act 1 and is handed a series of strange contraptions that do stuff which might just be useful. And what-do-you-know? They just happen to be the very things he needs to get out of the various prison cells in which he finds himself stuck in Act 3!

I look forward to finding out what method you have come up with. :-)

All the best.

MikeMarch 24th, 2009 at 6:30 am

Rod,

Thanks for stopping by and happy you enjoy my meager contributions to showbiz ;-)

Keep Writing!
Mike

JohnMarch 24th, 2009 at 5:20 pm

Hi, I’m another CJ import to your blog…. following on from Rod’s comments sometimes you find that you’ve put a “thread” without knowing it. I’ve just finished a draft for my producer where he wanted some of the back-story front ended into the actual script. This involved an 18 year old so I introduced her wearing earphones and an MP4 player, just for effect and low and behold I found that I could use the player to get me out of a jam I hadn’t thought of in the treatment! I know you’ve got your solution now, but next time have a look back and see if you’ve already dropped something in for another reason. brokenarrowfilms

Michael SchererMarch 24th, 2009 at 6:12 pm

John,

Thanks for stopping by and the good advice.
Between you and Rod I have just doubled my visitors! ;-)

Keep Writing!
Mike

JohnMarch 25th, 2009 at 1:04 pm

It’s not the numbers, it’s the passion!

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